OBS Review  7

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Boletim OBS nº 7

Authors and Articles

Maria de Lourdes Lima dos Santos, Editorial

 

João Gaspar das Neves, Os cinemas-estúdio dos anos 60/70 - Novas salas, novos públicos, novo cinema [The studio cinemas of the 1960s/70s - New screens, new audiences, new cinema]

 

Jorge Queiroz, Gestão Cultural -diagnóstico, estratégia e desenvolvimento: a experiência de Montemor-o-Novo [Cultural Management - analysis, strategy and development: the case of Montemor-o-Novo]

 

Idalina Conde, João Pinheiro, Profissões artísticas e emprego no sector cultural [Artistic professions and employment in the cultural sector]

 

Publication Date: January 2000  -  Language: Portuguese  -  ISSN: 0873-8831

Legal Deposit: 111894/99  -  N. of Pages: 24  -  N. of Copies: 1500

Type of Cover: Paperback  -  Format: 18x29,7  -  Price: 1,50 € 

 


Author

Maria de Lourdes Lima dos Santos

 

Title

Editorial

Pages: 2-4


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Author

João Gaspar das Neves

 

Title

Os cinemas-estúdio dos anos 60/70 - Novas salas, novos públicos, novo cinema [The studio cinemas of the 1960s/70s - New screens, new audiences, new cinema]

Abstract: Satélite, Quarteto, Apolo 70, Estúdio, Passos Manuel are the names of some of the small cinema screens that constituted the restricted group of co-called "studio cinemas", one of the most relevant phenomena of film distribution in the 1960s/1970s. These screens, through innovative practices of film distribution and exhibition, constituted a pole of transformation of cinema as a social phenomenon, fostering a widening and formation of cinephile audiences looking for the new cinema expressions that tended to be overlooked by traditional distribution. While first emerging in the 1960s, it was during the 1970s that the studio cinemas became a significant cultural and social phenomenon in the context of film distribution. Firstly, because the number of these screens increased from a mere 3 screens in the 1960s to over 10 in the 1970s. Secondly, because some of the specificities of this type of cinema only emerged in the 1970s.

Pages: 5-10


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Author

Jorge Queiroz

 

Title

Gestão Cultural -diagnóstico, estratégia e desenvolvimento: a experiência de Montemor-o-Novo [Cultural Management - analysis, strategy and development: the case of Montemor-o-Novo]

 

Abstract: Is cultural decentralisation a myth created by the marketing systems in democratic societies or a reality, part of a strategic objective of the outlying regions development? Does the lack of resources block or stimulate the creative engineering of a local project that serves as an alternative to the old speech of impossibility and marginalisation given the educational and informational needs of local populations? Does Portugal’s geo-cultural diversity permit an interesting productive model of complementarities and projects between regions and cities? What is Portuguese contemporary culture? And what original expressions does it encapsulate? Is the Anglo-Saxon colonialisation of the South an inevitable process?
Other questions may be added to the above that justify and provide foundations for strategic options and their implementation in urban cultural management programmes.

Pages: 11-15


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Author

Idalina Conde, João Pinheiro

 

Title

Profissões artísticas e emprego no sector cultural [Artistic professions and employment in the cultural sector]

Abstract: The question of artistic professions and employment plays a central role in contemporary cultural life, symmetric to the question of audiences, demand and consumption of culture. Changes, problems and expectations are related, in this field, to artists’ socio-professional status and conditions, authors’ rights and other forms of protection of intellectual property in the field of new technologies. They are also related to the markets for artistic works and professional employment, markets that are reconfigured and recontextualised in scenarios of mediatisation, and cultural internationalisation. These trends are also inevitably associated to the enlargement of the cultural sector as a "cutting edge tertiary sector" that fosters job creation and acts as a source of reserve employment in expectation of economic "inputs".
It would be important to produce an in-depth reflection on such essential questions, but the scope of the present text is far more limited, offering a brief and initial approach to a set of statistics and leaving for posterior analysis conceptual problems associated to notions of profession and employment in the fields of art and culture.

Pages: 16-22


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