OBS Review  12

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Boletim OBS nº 12

Authors and Articles

Maria de Lourdes Lima dos Santos, Trajectos e Projectos (O caso das bandas musicais juvenis) [Trajectories and Projects (The case of youth musical bands)]

 

Augusto Santos Silva, Como classificar as políticas culturais? Uma nota de pesquisa [How should we classify cultural policies? A research note]

 

Vanda Lourenço, Impacto e receptividade do Programa Cultura 2000 em Portugal [Impact and receptivity of the Programme Culture 2000 in Portugal]

 

Rui Telmo Gomes, Programa Cascais-Cultura. Notas para um sistema de informação integrado [Cascais-Cultura Programme. Notes for an integrated information system]

 

José Soares Neves, Maria João Lima and Jorge Alves dos Santos, Diagnóstico aos Arquivos Intermédios da Administração Central [Assessment report to semicurrent records of the public service]

 

Idalina Conde, Teresa Duarte Martinho and João Pinheiro, Mulheres nas principais Orquestras Portuguesas [Women in the main Portuguese Orchestras]

 

Publication Date: July 2003  -  Language: Portuguese  -  ISSN: 0873-8831

Legal Deposit: 111894/99  -  N. of Pages: 66  -  N. of Copies: 1000

Type of Cover: Paperback  -  Format: 18x29,9  -  Price: 4,00 €

 


 

Author

Maria de Lourdes Lima dos Santos

 

Title

Trajectos e Projectos (O caso das bandas musicais juvenis) [Trajectories and Projects (The case of youth musical bands)]

Abstract: The present text deals with the processes of launch, organisation, consolidation and rupture in the trajectories of youth musical bands. The analysis includes illustrations from different sources - deriving from an ongoing research project and from a narrative text on the "Trovante" band published by one of its members. In order to analyse the bands’ trajectories, it is necessary to consider the processes involved not as linear sequences but instead as dynamic processes in which there is an interplay between vectors of consolidation and rupture. Specific analytic models must be used in function of whether the bands in question are guided by professionalisation and market approximation strategies (success model and indicators) or have an intermediary status (hybrid model).

Pages: 3-9


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Author

Augusto Santos Silva

 

Title

Como classificar as políticas culturais? Uma nota de pesquisa [How should we classify cultural policies? A research note]

Abstract: The present text outlines a typology of cultural policies developed by the author on the basis of the definition of supranational, national or regional models. In this frame, the diversity of cultural policies is built around two axes: an ideological axis (dichotomy between right - and left - wing policies) and a diachronic axis (interplay between tradition, classicism, modernity and the avant-garde), wherein the confrontation of such temporal factors does not correspond to a chronological linear succession. The combination of ideological options and temporal factors delivers specific positions in a classification to be used as an instrument to understand and explain cultural policies related to the European Continental model.

Pages: 10-20


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Author

Vanda Lourenço

 

Title

Impacto e receptividade do Programa Cultura 2000 em Portugal [Impact and receptivity of the Programme Culture 2000 in Portugal]

Abstract: The reduced and declining presence of the Portuguese participation in applications to the European Union’s Programme Culture 2000 is addressed herein through identification of a set of inter-related factors that can be used to define the behaviour of and difficulties faced by Portuguese cultural agents when applying to this Programme. Having identified limitations through a survey questionnaire and interviews, suggestions and recommendations are made that may contribute to a wider access to applications - prevailingly viewed by applicants as a valuable opportunity to integrate in international networks and obtain financial support in order to implement their projects.

Pages: 21-37


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Author

Rui Telmo Gomes

 

Title

Programa Cascais-Cultura. Notas para um sistema de informação integrado [Cascais-Cultura Programme. Notes for an integrated information system]

Abstract: The present text serves as both a short introductory note for an ongoing OAC research project on local cultural policies and a summary of the theoretical and methodological principles that guide the design of an integrated information system in the framework of this research project. In relation to the second aspect, the principal objectives are considered together with the operational procedures involved in the production of classification indicators to characteriza cultural activities - in particular those promoted by Cascais Municipal Council’s Cultural Department.

Pages: 38-45


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Author

José Soares Neves, Maria João Lima and Jorge Alves dos Santos

 

Title

Diagnóstico aos Arquivos Intermédios da Administração Central [Assessment report to semicurrent records of the public service]

Abstract: Between February 2002 and April 2003, OAC developed an assessment report of the public service's semicurrent records. At a moment in which the co-edition between the OAC and the IAN/TT is near to be published, this article seeks to give an account of the objectives and the method used, discusses the concept of semicurrent records and presents the profile of the interlocutors in the public services who supported the survey's application.

Pages: 46-52


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Author

Idalina Conde, Teresa Duarte Martinho and João Pinheiro

 

Title

Mulheres nas principais Orquestras Portuguesas [Women in the main Portuguese Orchestras]

Abstract: On the basis of a classification of five Portuguese orchestras, by means of variables such as a musician’s nationality, age, instrument and hierarchical and functional category, the presence of women is analysed in terms of possible relationships between gender and those other variables. The presence and proportion of women varies considerably between the different orchestras and cannot be analysed on a linear basis but must instead be understood in the context of each orchestra. In additional to gender-based asymmetries, other lines of fracture to be taken into consideration include the presence of foreigners and competitiveness within the orchestras’ respective promotion systems.

Pages: 53-63


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